人的記憶力會(huì)隨著歲月的流逝而衰退，寫作可以彌補(bǔ)記憶的不足,，將曾經(jīng)的人生經(jīng)歷和感悟記錄下來(lái),，也便于保存一份美好的回憶,。那么我們?cè)撊绾螌懸黄^為完美的范文呢,？下面是小編幫大家整理的優(yōu)質(zhì)范文,，僅供參考,，大家一起來(lái)看看吧,。

泉州景點(diǎn)導(dǎo)游詞篇一

泉州市地處福建省東南部，依山面海,，北承省會(huì)福州,，南接廈門特區(qū)，東與寶島臺(tái)灣隔海相望,。陸地面積11015平方千米,，海域面積11360平方千米，人口６５８萬(wàn),。是全國(guó)首批歷史文化名城,，中國(guó)優(yōu)秀旅游城市，古代“絲綢之路”起點(diǎn),，也是全國(guó)著名僑鄉(xiāng),，臺(tái)灣漢族同胞的主要聚集地，目前分布在世界１００多個(gè)國(guó)家和地區(qū)的泉州籍華僑華人達(dá)６００多萬(wàn)人，港澳同胞６８萬(wàn)多人,，長(zhǎng)期以來(lái),，泉州的廣大海外鄉(xiāng)親和臺(tái)胞愛國(guó)愛鄉(xiāng)，為我市的各項(xiàng)建設(shè)事業(yè)作出了重大貢獻(xiàn),。

泉州歷史悠久,，據(jù)考古發(fā)現(xiàn)，早在舊石器時(shí)期就有人類在此生息繁衍,，東晉時(shí)期,，由于北方連年戰(zhàn)亂，大量中原晉人南遷入境,，開始了泉州的大規(guī)模開發(fā),，泉州現(xiàn)有人口大部分屬中原晉人后裔，泉州的母親河遂被稱為“晉江”,。泉州建市最早是在公元７１８年,，是一座千年古邑，隨著社會(huì)經(jīng)濟(jì)的發(fā)展,，政治制度的變革,，泉州的建置不斷演變，目前隸屬福建省,，下轄4區(qū)3市5縣,，其中漢族占人口總數(shù)的98.2%，少數(shù)民族占1.8%,，方言以閩南話為主,，通用語(yǔ)言為普通話。

泉州的氣候也非常適合居住,，屬亞熱帶海洋性季風(fēng)氣候,，年平均氣溫18－20℃，終年溫暖濕潤(rùn),，四季如春,，有一首詩(shī)道：“四季有花常見雨，一冬無(wú)雪卻聞雷”,，道出了泉州氣候溫暖宜人的特點(diǎn),。

泉州的得名還有一個(gè)典故，據(jù)說(shuō)是因?yàn)槌潜钡那逶瓷缴嫌幸豢赘嗜?俗稱虎乳泉),，因此山稱泉山,，州稱泉州。另外,，泉州古時(shí)還有很多別稱,，例如：因古城形似鯉魚,，故稱“鯉城”；又因四季常溫,，得名“溫陵”,；五代時(shí)，此地曾環(huán)城遍植刺桐樹,，遂稱“刺桐城”,。泉州的“刺桐港”從唐代到元朝，一直是中國(guó)主要對(duì)外貿(mào)易港口,，是古代“海上絲綢之路”的起點(diǎn),，享有“東方第一大港”的盛譽(yù)。這些優(yōu)雅的別稱,，隨著泉州海外交通的發(fā)達(dá)而聲蜚海外,，時(shí)至今日這些名稱仍然為大家所熟悉。

泉州是國(guó)務(wù)院首批公布的24個(gè)歷史文化名城之一,，文化積淀深厚,，素有世界宗教博物館之美譽(yù)，這點(diǎn)在清源山上體現(xiàn)的尤為突出,，包括世界各大宗教,，如道教、佛教,、基督教、伊斯蘭教,、天主教,、印度教、摩尼教等,，形成了多種宗教兼容并蓄的特點(diǎn),。此外，泉州作為歷史文化名城,，文化遺產(chǎn),、名勝古跡星羅棋布，擁有各級(jí)重點(diǎn)文物保護(hù)單位七百多處,，其中國(guó)家級(jí)20處,。其中級(jí)負(fù)盛名的有：中國(guó)現(xiàn)存最早的伊斯蘭教清凈寺，世界唯一的摩尼佛像雕刻,，中國(guó)最大的老君石雕坐像,，千年古剎開元寺及東西塔、民族英雄鄭成功史跡,，中國(guó)四大名橋之一洛陽(yáng)橋,，以及將惠東風(fēng)俗,、海濱風(fēng)光、石雕藝術(shù)融為一體的崇武古城等等,。因此而享有“地下文物看西安,，地上文物看泉州”的美譽(yù),。并且保留著以南戲,、南音、南少林,、南建筑為代表的文化遺產(chǎn)和梨園戲,、高甲戲、提線木偶等全國(guó)特色劇種,。說(shuō)起提線木偶,，在08年的歐云輝開幕式上表演的提線木偶節(jié)目正式我們福建籍提線木偶大師的精彩演出,。另外,，值得一提的是,?！昂Ｉ辖z綢之路泉州史跡和中國(guó)南音已列為申報(bào)世界遺產(chǎn)項(xiàng)目,。

來(lái)到泉州就不得不提一下這邊的名產(chǎn),，其中惠安石雕、德化陶瓷,、安溪鐵觀音為泉州三寶,，鯉城木偶頭、安溪烏龍茶,、永春老醋等土特名產(chǎn),，聞名遐邇，是饋贈(zèng)親朋摯友的上乘禮品,，遠(yuǎn)銷海內(nèi)外,。

泉州被列為閩南廈漳泉沿海經(jīng)濟(jì)開發(fā)區(qū)，經(jīng)濟(jì)總量連續(xù)多年居福建省首位,，是中國(guó)民營(yíng)最發(fā)達(dá)的地區(qū),，素有中國(guó)民營(yíng)之都美譽(yù)。泉州人民立足實(shí)際,，奮力打造特色經(jīng)濟(jì),，促使泉港“石化基地”,、豐澤“中國(guó)樹脂工藝之鄉(xiāng)”、晉江“中國(guó)鞋都”,、石獅“中國(guó)服裝名城”,、南安“中國(guó)建材之鄉(xiāng)”、惠安 “中國(guó)石雕之鄉(xiāng)”,、德化“工藝陶瓷之鄉(xiāng)”,、永春“蘆柑之鄉(xiāng)”、安溪“烏龍茶之鄉(xiāng)”等特色經(jīng)濟(jì)的形成并馳名海內(nèi)外,，全市所有縣（市）均躋身全省經(jīng)濟(jì)實(shí)力十強(qiáng)或經(jīng)濟(jì)發(fā)展十佳縣（市）行列,。2003年，縣域經(jīng)濟(jì)取得新進(jìn)展,，晉江,、石獅、惠安和南安四縣（市）再次入選全國(guó)百?gòu)?qiáng)縣（市）,。

泉州以其豐富的人文景觀,，別具一格的民俗風(fēng)情和秀出東南的自然風(fēng)光，交相輝映,，使泉州成為一個(gè)全國(guó)乃至國(guó)際性的旅游勝地,，吸引著來(lái)自海內(nèi)外的游客。

泉州景點(diǎn)導(dǎo)游詞篇二

泉州安平橋?qū)в卧~

作為一位兢兢業(yè)業(yè)的旅游從業(yè)人員,，常常需要準(zhǔn)備導(dǎo)游詞,，導(dǎo)游詞一般是根據(jù)實(shí)際的游覽景觀、遵照一定的游覽路線,、模擬游覽活動(dòng)而創(chuàng)作的,。我們應(yīng)該怎么寫導(dǎo)游詞呢？以下是小編收集整理的泉州安平橋?qū)в卧~,，希望對(duì)大家有所幫助。

大家好,，很高興今天能有機(jī)會(huì)和大家一起參觀安平橋,。

安平橋是國(guó)家第一批公布為全國(guó)重點(diǎn)文物保護(hù)單位之一。位于晉江市的安海鎮(zhèn),，安海古稱安平,，因此，此橋又稱：“安平橋”,，由于橋長(zhǎng)有五華里（即二公里半）人們便稱它為“五里橋”,；位于安海鎮(zhèn)西畔，俗稱“西橋”,。

安平橋全座石構(gòu),，用花崗巖和沙石構(gòu)筑的梁式石橋,，橫跨晉江安海和南安水頭兩重鎮(zhèn)的海灘，始建于南宋紹興八年（公元1138年）,，前后歷經(jīng)十三年告成,，后經(jīng)明清兩代均有修繕，現(xiàn)為國(guó)家撥款依舊重修保留原狀,，聞名天下,。據(jù)《晉江縣志》記載：“晉江、南安之界,，舊日以舟渡,，宋紹興八年，僧祖派始筑石橋未就,，二十一年來(lái)趙令衿成之,，釃水三百六十二道（即分水道為三百六十二孔），長(zhǎng)八百十有一丈,，寬一丈六尺……”目前修繕后橋全長(zhǎng)為20xx米,，橋面寬3米至3。6米,，以巨型石板鋪架橋面,，兩側(cè)設(shè)有欄桿。橋板又闊又厚,，最長(zhǎng)者可達(dá)十余米,，每間用板石七、八條,，皆是堅(jiān)實(shí)的花崗巖石,。而這些橋板石從哪里開采而來(lái)的，應(yīng)該是泉州府附近的石窟,，但需要用水運(yùn),。據(jù)說(shuō)有私家族譜記載，這樣的巨石,，多是咫尺相望的金門島開采海運(yùn)而來(lái)的,。橋墩筑法，用長(zhǎng)條石和方形石橫縱疊砌,，呈四方形,、單邊船形、雙邊船形三種形式,，尚存331座,，狀如長(zhǎng)虹，為中古時(shí)代世界上最長(zhǎng)的梁式石橋,，故有“天下無(wú)橋長(zhǎng)此橋”的美贊,。此外,，長(zhǎng)橋的兩旁，還置有形式古樸的石塔和石雕佛像,，其欄桿柱頭還雕刻著維妙維肖的雌雄石獅與護(hù)橋?qū)④娛?，以夸張的手法，雕刻表現(xiàn)得非常別致,，皆為南來(lái)的代表作,。

整座橋上面的東、西,、中部分別置有五座“憩享”,，以供人休息，并配有菩薩像,。兩翼水中筑有對(duì)稱方形石塔四座,，圓形翠堵婆塔一座，塔身雕刻佛祖,，面相豐滿慈善,。中亭二尊護(hù)橋?qū)④姡|高1,。59至1,。68米，頭戴盔,，身著甲,，手執(zhí)劍，雕刻形象威武,，這都是宋代石雕藝術(shù)的精華,。

當(dāng)時(shí)主持建橋的`趙令衿筑成天下長(zhǎng)橋而高興地寫下一首詩(shī)：

為問安平道，驅(qū)本夜已分,；

人家無(wú)犬吠,，門巷有爐熏；

月照新耕地,，山收不斷鄉(xiāng),；

梅花迎我笑，書報(bào)小東君,；

有“安平橋”原有篆書豐碑，已廢,。據(jù)清人龔顯增《亦囪脞牘》載：“丁丑由安平趨漳郡,，道出西橋，見篆書豐碑,，幾立橋上……碑題‘安平橋’篆書三字,，字徑二尺,，配搭勻整，氣象崚嶒,，旁款一行,，正書云‘右迪功郎南安縣尉陳大方立’，刊者劉長(zhǎng)岳,，大方紹興末任南安縣尉,。”

“安平橋這一偉大的橋梁工程是繼聞名天下的海內(nèi)第一橋的洛陽(yáng)橋（又名萬(wàn)安橋）,，以工程之艱巨,，為世界首創(chuàng)的“筏型基礎(chǔ)”，而產(chǎn)生泉州府地之建橋熱,，成為泉州“橋梁甲天下”,。安平橋則以長(zhǎng)度上被歷代所贊譽(yù)，以“臥龍“,、“巨虹”的壯麗稱號(hào),，聞名海內(nèi)外。在明代被泉州人稱為“學(xué)問最通”陳紫峰,，有一天集諸文人周游安平橋,，正遇聚雨，他們都在橋上閑聊長(zhǎng)橋勝景,，隨即作對(duì)聯(lián)：“暴雨驟傾萬(wàn)斛珍珠浮水面,，長(zhǎng)虹多掛一條金帶束天腰?！?/p>

在橋頭還有一座磚塔和觀音堂,，塔高達(dá)22米，為五層六角形空心建筑,，南宋時(shí)所創(chuàng)建,。為什么在南宋，晉江的一鎮(zhèn)有這么多資財(cái)創(chuàng)建這么偉大的橋梁工程,，據(jù)有關(guān)史料記載：“安海鎮(zhèn)”于府南六十里,，古名“灣海”,，宋初始改為“安”,、曰“安海市”，西曰“新市”,，東曰“舊市”,。海泊至，州遣吏攫稅于此，號(hào)“石開津”,，又據(jù)明代編號(hào)的《安海志》稱,，古時(shí)安海人善于漂洋過(guò)海發(fā)展海上貿(mào)易，宋元時(shí)期,，商則襟帶江湖,，足跡遍天下，南海明珠,，越裳翡翠,，無(wú)所不有，文身之地,，雕題之國(guó),，無(wú)所不到……這都說(shuō)明宋時(shí)安海海外通商之繁榮景況，安平橋之興更是當(dāng)時(shí)海外交通發(fā)達(dá),，社會(huì)經(jīng)濟(jì)繁榮的實(shí)物標(biāo)志,。同時(shí)也看出泉州勞動(dòng)人民的建筑智慧。

當(dāng)代詩(shī)人郭沫若干年間特來(lái)安平橋參觀,，留下律詩(shī)一首,。

五里橋成陸上橋，鄭藩舊邸蹤全消,；

英雄氣魄垂千古,，勞動(dòng)精神漾九霄；

不信君謨真夢(mèng)醋,，愛看明儼偶題糕,；

復(fù)臺(tái)得意誰(shuí)能識(shí)，開辟荊榛第一條,！

由于時(shí)代久遠(yuǎn),，海港的變遷，海上的橋變成陸上的橋,，如今國(guó)家撥出?？钪匦蓿謴?fù)舊貌,，我們一到長(zhǎng)虹般的長(zhǎng)橋,，總要漫步觀賞，為興建泉州長(zhǎng)橋功勞而贊嘆,！

安平橋俗稱五里橋,，在晉江安海與南安水頭交界海灣上。宋紹興八年(1138年)始建,，十三年后建成,。它是我國(guó)現(xiàn)存最長(zhǎng)的海港大石橋,，是國(guó)家第一批公布為全國(guó)重點(diǎn)文物保護(hù)單位之一。

全橋長(zhǎng)2255米,，寬3-3.8米，橋墩361座,，橋上有水心亭,、樓亭、中亭,、雨亭,、宮亭等五座。橋東頭有白塔,，高22米,，五層六角空心磚塔，外涂抹白灰,。高塔長(zhǎng)橋,，相映成趣。

橋墩筑法,，用長(zhǎng)條石和方形石橫縱疊砌,，呈四方形、單邊船形,、雙邊船形三種形式,，尚存331座，狀如長(zhǎng)虹,，為中古時(shí)代世界上最長(zhǎng)的梁式石橋,，故有“天下無(wú)橋長(zhǎng)此橋”的美贊。

長(zhǎng)橋的兩旁置有形式古樸的石塔和石雕佛像,，欄桿柱頭雕刻著惟妙惟肖的雌雄石獅與護(hù)橋?qū)④娛?，皆為南宋的石刻。整座橋上面的東,、西,、中部分別置有五座“憩享”，以供人休息,，并配有菩薩像,。兩翼水中筑有對(duì)稱方形石塔四座，圓形翠堵婆塔一座,，塔身雕刻佛祖,，面相豐滿慈善。

中亭二尊護(hù)橋?qū)④?，軀高1.59至1.68米,，頭戴盔，身著甲，手執(zhí)劍,，雕刻形象威武,，這都是宋代石雕藝術(shù)的精華。在橋頭有磚塔和觀音堂,，塔高達(dá)22米,，為五層六角形空心建筑，南宋時(shí)所創(chuàng)建,。

1961年3月,，五里橋公布為國(guó)家重點(diǎn)文物保護(hù)單位。近年撥巨款重修巳傾圯塌斷的橋墩橋板,，修復(fù)三座橋亭,、橋塔和橋欄。掘除橋兩側(cè)淤積,，恢復(fù)水映長(zhǎng)橋美景,，橋下游處今辟了公路和閘橋，交通更加方便了,。

泉州景點(diǎn)導(dǎo)游詞篇三

關(guān)于福建泉州導(dǎo)游詞

作為一位無(wú)私奉獻(xiàn)的導(dǎo)游,，通常需要準(zhǔn)備好一份導(dǎo)游詞，導(dǎo)游詞是我們引導(dǎo)游覽時(shí)使用的講解詞,。如何把導(dǎo)游詞做到重點(diǎn)突出呢,？以下是小編收集整理的關(guān)于福建泉州導(dǎo)游詞，供大家參考借鑒,，希望可以幫助到有需要的朋友,。

大家好，很高興能和大家一起去參觀鄭成功墓,。

鄭成功墓在南安市沿著福廈公路的水頭鎮(zhèn)附近的康店村復(fù)船山,，為全國(guó)重點(diǎn)文物保護(hù)單位。

鄭成功是我國(guó)偉大的民族英雄,，名森,、字明儼、號(hào)大木,，福建省南安石井人,，出身于官商家庭。1624年農(nóng)歷七月十四日,，誕生于日本長(zhǎng)崎縣平戶市千里浜,。在日本渡過(guò)七個(gè)春秋，1630年間隨從其叔芝燕等回國(guó),，住安平(晉江市安海鎮(zhèn))鄭府,。鄭成功自幼聰明敏捷,，八歲能通讀四書五經(jīng)，十歲能寫入股文,，文章過(guò)人,，詞藻華麗典雅，十一,、二歲,，兼習(xí)春秋左傳，孫吳兵法,，并能舞劍學(xué)射。十五歲的稟生,，二十一歲攻入南京國(guó)子監(jiān)太學(xué),，氣字軒昂，才華橫溢,，獲得師長(zhǎng)稱贊：“此人英雄,，非人所得比?！?/p>

明隆武帝見成功年少英俊,，文武雙全，問之日“江山危矣,，你何從我乎?”對(duì)日：“文不貪財(cái),，武不怕死，江山可保矣,?！甭∥涞鄯浅Ｙ澰S他，即賜他與同姓,，易名“成功”,，封御營(yíng)中軍都督，授尚方寶劍,，儀同附馬,，自是咸稱“國(guó)姓爺”。

鄭成功一生最偉大的功績(jī)是收復(fù)臺(tái)灣,，驅(qū)逐荷蘭侵略者和大規(guī)模開發(fā)臺(tái)灣,。永歷十五年(公元1662年)十二月甘三日，率軍三萬(wàn)余人,，大部份是泉州人,，把荷蘭侵略者從我國(guó)寶島臺(tái)灣趕走。鄭成功實(shí)現(xiàn)了他收復(fù)臺(tái)灣和開發(fā)臺(tái)灣的遠(yuǎn)大抱負(fù),。當(dāng)時(shí)曾賦詩(shī)一首“開辟荊榛逐荷夷,，十年始克服先基,。田橫尚有三千客，菇苦間關(guān)不忍離,?！笆諒?fù)臺(tái)灣以后，他走訪四社,，了解民情及社會(huì)情況,，在那荒涼的臺(tái)灣島上，實(shí)行“寓兵于農(nóng)”之法,，屯墾開荒,，“農(nóng)隙則訓(xùn)以武事，有警則荷戈以戰(zhàn),，無(wú)警則負(fù)來(lái)以耕”,。那時(shí)，臺(tái)灣新辟土地環(huán)境十分惡劣,，瘴疬流行,，“病者十之七八，死者基多”,，甚至有數(shù)十丈巨蟒為患,，開荒任務(wù)非常艱巨，鄭成功都新率官兵,，積極開發(fā),，同時(shí)采取各種措施加緊鞏固臺(tái)灣海防，堅(jiān)守陣地,，免于荷蘭侵略者“復(fù)仇”,，重占臺(tái)灣。鄭成功率軍披荊斬棘,，流血流汗,，艱苦創(chuàng)舉。由于十年征戰(zhàn),，馳騁沙場(chǎng),，積勞成疾，于永歷十六年(公元1662年)農(nóng)歷五月初八病逝臺(tái)灣,，享年三十有九,，墓葬于臺(tái)灣的臺(tái)南州仔尾。歷經(jīng)三十多年,，其孫鄭克塽降清后,，于康熙三十八年(公元1699年)5月22日卯時(shí)遷柩歸葬于南安縣，拊葬于康店村的鄭氏祖瑩,，隨同遷葬的還有其子鄭經(jīng)的`靈柩,。當(dāng)時(shí)康熙帝除下敕遣官兵護(hù)柩外,，還賜挽聯(lián)一對(duì)，日：“四鎮(zhèn)多二心兩島屯師敢向東南爭(zhēng)半壁;諸王無(wú)守土一隅抗志方知海外有孤忠,?！盃柡筮€派御林軍護(hù)陵守墓。同時(shí)遷葬于祖瑩樂齋公內(nèi)還有其父鄭芝龍,，其母和其妻墓氏,，遷墓后重立墓碑。

1929年,，鄭陵被盜,，即時(shí)搶救石質(zhì)墓志銘兩塊，一為鄭經(jīng)1674年回鄉(xiāng)修祖墳時(shí)所立的(橄欖山墓志),。另一是遷葬時(shí)鄭克塽之《鄭氏歸墓祖文墓志》,。鄭成功靈柩用棺廓兩層，里面一層油漆朱紅鮮先澤,，棺內(nèi)布滿水銀，骨骼完好,，取出將盔一項(xiàng),，龍袍一件，腰圍玉帶鑲玉十七塊,，靴鞋各一雙,，還有頭發(fā)等珍貴一級(jí)文物，由南安石井鄭成功紀(jì)念館收藏,。

鄭成功墓采用水灰三合土構(gòu)筑土堆墓,，墓碑墓道皆用花崗石雕砌成，墓碑高75厘米,，長(zhǎng)15.8厘米,，呈“山”字形，整座墓域占地997平方米,，墓前石質(zhì)華表一對(duì),，相距15米，高14米,，呈八角形,，徑52厘米，頂端雕一座獅,，保存完好,。墓前兩側(cè)還有石板旗桿夾九對(duì)，左五右四,，其中一板刻有“戍子年解元”五個(gè)字,。目前,，擴(kuò)大保護(hù)范圍，建筑陵園大圍墻建立文物保管所,，修筑墓道和專線公道,，綠化林木花草，建置碑亭,，環(huán)境寬敞,，風(fēng)景優(yōu)美，為海內(nèi)外游覽和祭拜“國(guó)姓爺”的好地方,。

參觀了鄭成功墓,，想必大家會(huì)有一番感慨和聯(lián)想吧。

大家好,，歡迎到草庵摩尼教遺址參觀,。

距泉州市區(qū)南門外19公里的晉江余店蘇內(nèi)村，有一座萬(wàn)山峰,，又名萬(wàn)石山,、華表山，為我國(guó)僅存完整的摩尼教遺跡,。因古用草構(gòu)屋,，故曰草庵。摩尼教又名明教,，公元三世紀(jì)波斯人摩尼所開創(chuàng),，摩尼(公元216-276年)生于南巴比倫安眠王族家庭，他以拜火教為信奉基本,，接收____,、佛教和古巴比倫的宗教思維，創(chuàng)建了摩尼教,。其教于唐代傳入泉州,，稱為明教，崇敬光亮,，倡導(dǎo)喧擾,，反對(duì)黑暗和壓迫。古代遺址為元代修建物,，據(jù)考古發(fā)明,，宋代摩尼教已在這里運(yùn)動(dòng)。明代禁絕,，此處鄉(xiāng)民仍以佛教崇拜,，保留完全。摩尼教寺緊依華表山麓,，內(nèi)有僧尼方丈,，本來(lái)庵前還有一座佛教寺,，已廢，近年又重建,，面目一新,。花木,、果樹相映,，景致非常精美清凈，為一番別致風(fēng)景,。草庵寺依山崖傍筑,，修筑情勢(shì)為石構(gòu)單檐歇山式，四架椽,，面闊三開間,，間寬1?67米，進(jìn)深二間3.04米,，屋檐下用橫梁?jiǎn)闻湃A拱承托屋蓋,，簡(jiǎn)略古樸。其中最為可貴的是庵內(nèi)依崖石雕一尊摩尼光佛,，石浮雕摩尼跌坐神像,，作圓圈淺龕，直徑1.68米,，坐像身長(zhǎng)1.52米，寬0.83米,，頭部比較特殊,。浮現(xiàn)輝綠巖(青斗石)色彩，長(zhǎng)方形面貌0.32x0.25米,，背有光芒射紋飾,，出現(xiàn)花崗巖石質(zhì)，披發(fā)披肩,，端坐蓮壇,，面相圓潤(rùn)，眉彎稍為隆起,，嘴唇薄,，嘴角線深顯，構(gòu)成下額圓突,，顯得安祥自若;身穿寬袖僧衣,，胸懷打結(jié)帶，無(wú)扣,，結(jié)帶用圓飾套束蝴蝶形,，而向兩側(cè)下垂于腳部,，雙手相疊平放，手心向上置于膝上,，情態(tài)肅穆慈悲,，衣褶儉樸流利，用對(duì)稱的紋飾表示時(shí)期作風(fēng),。這是目前世界僅存的一尊摩尼教石雕佛像,，列為全國(guó)重點(diǎn)文物維護(hù)單位。

在佛龕的左上角陰刻一段文字“謝店市信士陳真澤破寺,，喜舍本師圣像,，祈薦考妣早生佛地者。至元五年戌月日記”,。五行楷書,，34字,，字徑2.5x2.5厘米,。在右上角還有陰刻比擬毛糙的文字“興化路羅山境姚興祖,，奉舍石室一完。祈薦先君正卿姚汝堅(jiān)三十三宴,，妣郭氏五九太孺，繼母黃十三娘,，先兄姚月澗，四學(xué)世生界者,。”這些文字價(jià)值性很高,，是目前世界獨(dú)一摩尼光佛造像跟庵寺建造年代可借的文字佐證,，十分寶貴，同時(shí)也是研討泉州明教的一手歷史資料,。

在這草庵遺址前真?zhèn)€20米處,，曾經(jīng)出土一塊元代完整的黑釉碗和60多件殘瓷片。這件完整的黑釉碗,，口徑18.5厘米,，高6.5厘米，碗內(nèi)底部在燒制時(shí)便刻有“明教會(huì)”三字，字徑6.5厘米左右,，其余殘瓷片同樣分辨刻有“明”,、“教”、“會(huì)”三個(gè)字樣,，這是當(dāng)時(shí)泉州明教會(huì)活動(dòng)情形的主要發(fā)現(xiàn),。宋未元初時(shí)燒制這種黑釉碗，在晉江磁灶為數(shù)較多,，泉州市區(qū)近郊也有同類型的發(fā)現(xiàn),，闡明羅山草庵摩尼教遺址的文字記載與黑釉“明教會(huì)”的瓷碗相印證。泉州的摩尼教活動(dòng)于元代是比較公然性的,。解釋泉州的明教是以佛為崇拜而風(fēng)行的,。據(jù)傳有泉州十八位讀書士子住于草庵勤懇讀書,，常于此浮現(xiàn)佛的形象,，說(shuō)是文殊菩薩的顯影,，因而在摩尼光佛坐像兩側(cè)有弘一法師手書木刻對(duì)聯(lián)“石壁光明相傳為文佛顯影”,，“史乘記錄于此著名賢讀書”,。

明朝太祖朱元璋依附明教篡奪政權(quán)，并采取明教的“明”定國(guó)號(hào),，然而又擔(dān)憂明教要挾他的統(tǒng)治，即所謂“又嫌其教門上逼國(guó)號(hào),，寅其徒，毀其宮”,。所以明初明教極盛一時(shí)又轉(zhuǎn)入機(jī)密活動(dòng)，融會(huì)于道,、佛教的民間崇拜,。但仍于明正統(tǒng)年刻摩尼教的教義信條原出地方有。

勸念

清凈光明,，鼎力智慧,。

無(wú)上至真,，摩尼光佛,。

正統(tǒng)乙丑玄月十三日,，住山弟子明書立,。明萬(wàn)歷年間(公元1573-1620年)泉州還有兩位有名詩(shī)人旅行草庵題詩(shī)于此：黃克晦(公元1524一1590，號(hào)吾野,，惠安崇武人，能詩(shī)善字畫,，著有《吾野詩(shī)集》等)

《萬(wàn)石峰草庵得家字》

結(jié)伴遙尋太乙家,，峨峨萬(wàn)石映孤霞,。

坐中峰勢(shì)天西側(cè),，衣上夢(mèng)陰日半斜。

風(fēng)榭無(wú)人飄翠瓦,，云巖有水浸苔花,。

何年更駐蘇杭鶴,，靜閉閑房共轉(zhuǎn)砂,。

詩(shī)人黃鳳翔(1538-1614,，號(hào)儀庭，止庵,。泉州市區(qū)人,，名士名宦)

《秋訪草庵》

琳宮秋日共跌登，木落山空爽氣澄,。

細(xì)草久湮仙峽路,，斜暉暫作佛壇燈。

竹邊泉脈鄰丹灶,，沿里云根蔓綠藤,。

飄瓦頹垣君莫問，蕭然一榻便??

以上兩位詩(shī)人都把草庵當(dāng)作道教宮庵對(duì)待,。其詩(shī)中還呈現(xiàn)“太乙神仙“和“丹灶”的詞句,。

好了，今天咱們參觀摩尼教遺址到此就停止了,，歡送大家再次光顧,。謝謝!

大家好，很高興今天能有機(jī)會(huì)和大家一起參觀安平橋,。

安平橋是國(guó)家第一批公布為全國(guó)重點(diǎn)文物保護(hù)單位之一,。位于晉江市的安海鎮(zhèn)，安海古稱安平,，因此,，此橋又稱：“安平橋”，由于橋長(zhǎng)有五華里(即二公里半)人們便稱它為“五里橋”;位于安海鎮(zhèn)西畔,，俗稱“西橋”,。

安平橋全座石構(gòu)，用花崗巖和沙石構(gòu)筑的梁式石橋,，橫跨晉江安海和南安水頭兩重鎮(zhèn)的海灘,，始建于南宋紹興八年(公元1138年)，前后歷經(jīng)十三年告成,，后經(jīng)明清兩代均有修繕,，現(xiàn)為國(guó)家撥款依舊重修保留原狀，聞名天下,。據(jù)《晉江縣志》記載：“晉江,、南安之界，舊日以舟渡,，宋紹興八年,，僧祖派始筑石橋未就,，二十一年來(lái)趙令衿成之，釃水三百六十二道(即分水道為三百六十二孔),，長(zhǎng)八百十有一丈,，寬一丈六尺……”目前修繕后橋全長(zhǎng)為20xx米，橋面寬3米至3.6米,，以巨型石板鋪架橋面,，兩側(cè)設(shè)有欄桿。橋板又闊又厚,，最長(zhǎng)者可達(dá)十余米,，每間用板石七、八條,，皆是堅(jiān)實(shí)的花崗巖石,。而這些橋板石從哪里開采而來(lái)的，應(yīng)該是泉州府附近的石窟,，但需要用水運(yùn),。據(jù)說(shuō)有私家族譜記載，這樣的巨石,，多是咫尺相望的金門島開采海運(yùn)而來(lái)的,。橋墩筑法，用長(zhǎng)條石和方形石橫縱疊砌,，呈四方形,、單邊船形、雙邊船形三種形式,，尚存331座,，狀如長(zhǎng)虹，為中古時(shí)代世界上最長(zhǎng)的梁式石橋,，故有“天下無(wú)橋長(zhǎng)此橋”的美贊,。此外，長(zhǎng)橋的兩旁,，還置有形式古樸的石塔和石雕佛像,，其欄桿柱頭還雕刻著維妙維肖的雌雄石獅與護(hù)橋?qū)④娛瘢钥鋸埖氖址?，雕刻表現(xiàn)得非常別致,，皆為南來(lái)的代表作。

整座橋上面的東,、西,、中部分別置有五座“憩享”，以供人休息,，并配有菩薩像,。兩翼水中筑有對(duì)稱方形石塔四座,，圓形翠堵婆塔一座，塔身雕刻佛祖,，面相豐滿慈善。中亭二尊護(hù)橋?qū)④?，軀高1.59至1.68米,，頭戴盔，身著甲,，手執(zhí)劍,，雕刻形象威武,，這都是宋代石雕藝術(shù)的精華,。

當(dāng)時(shí)主持建橋的趙令衿筑成天下長(zhǎng)橋而高興地寫下一首詩(shī)：

為問安平道,，驅(qū)本夜已分;

人家無(wú)犬吠,，門巷有爐熏;

月照新耕地,，山收不斷鄉(xiāng);

梅花迎我笑,，書報(bào)小東君;

有“安平橋”原有篆書豐碑,，已廢,。據(jù)清人龔顯增《亦囪脞牘》載：“丁丑由安平趨漳郡,，道出西橋,，見篆書豐碑，幾立橋上……碑題‘安平橋’篆書三字,，字徑二尺,，配搭勻整，氣象崚嶒,，旁款一行,，正書云‘右迪功郎南安縣尉陳大方立’，刊者劉長(zhǎng)岳,，大方紹興末任南安縣尉,。”

“安平橋這一偉大的橋梁工程是繼聞名天下的海內(nèi)第一橋的洛陽(yáng)橋(又名萬(wàn)安橋),，以工程之艱巨,，為世界首創(chuàng)的“筏型基礎(chǔ)”，而產(chǎn)生泉州府地之建橋熱,，成為泉州“橋梁甲天下”,。安平橋則以長(zhǎng)度上被歷代所贊譽(yù)，以“臥龍“,、“巨虹”的壯麗稱號(hào),，聞名海內(nèi)外。在明代被泉州人稱為“學(xué)問最通”陳紫峰,，有一天集諸文人周游安平橋,，正遇聚雨,，他們都在橋上閑聊長(zhǎng)橋勝景，隨即作對(duì)聯(lián)：“暴雨驟傾萬(wàn)斛珍珠浮水面,，長(zhǎng)虹多掛一條金帶束天腰,。”

在橋頭還有一座磚塔和觀音堂,，塔高達(dá)22米,，為五層六角形空心建筑，南宋時(shí)所創(chuàng)建,。為什么在南宋,，晉江的一鎮(zhèn)有這么多資財(cái)創(chuàng)建這么偉大的橋梁工程，據(jù)有關(guān)史料記載：“安海鎮(zhèn)”于府南六十里,，古名“灣?！保纬跏几臑椤鞍病?、曰“安海市”,，西曰“新市”，東曰“舊市”,。海泊至,，州遣吏攫稅于此，號(hào)“石開津”,，又據(jù)明代編號(hào)的《安海志》稱,，古時(shí)安海人善于漂洋過(guò)海發(fā)展海上貿(mào)易，宋元時(shí)期,，商則襟帶江湖,，足跡遍天下，南海明珠,，越裳翡翠,，無(wú)所不有，文身之地,，雕題之國(guó),，無(wú)所不到……這都說(shuō)明宋時(shí)安海海外通商之繁榮景況，安平橋之興更是當(dāng)時(shí)海外交通發(fā)達(dá),，社會(huì)經(jīng)濟(jì)繁榮的實(shí)物標(biāo)志,。同時(shí)也看出泉州勞動(dòng)人民的建筑智慧。

當(dāng)代詩(shī)人郭沫若干年間特來(lái)安平橋參觀,，留下律詩(shī)一首,。

五里橋成陸上橋，鄭藩舊邸蹤全消;

英雄氣魄垂千古，勞動(dòng)精神漾九霄;

不信君謨真夢(mèng)醋,，愛看明儼偶題糕;

復(fù)臺(tái)得意誰(shuí)能識(shí),，開辟荊榛第一條!

由于時(shí)代久遠(yuǎn)，海港的變遷,，海上的橋變成陸上的橋,，如今國(guó)家撥出專款重修,，恢復(fù)舊貌,，我們一到長(zhǎng)虹般的長(zhǎng)橋，總要漫步觀賞,，為興建泉州長(zhǎng)橋功勞而贊嘆!

泉州景點(diǎn)導(dǎo)游詞篇四

導(dǎo)游詞是導(dǎo)游人員引導(dǎo)游客觀光游覽時(shí)的講解詞,，是導(dǎo)游員同游客交流思想,，向游客傳播文化知識(shí)的工具,，也是應(yīng)用寫作研究的文體之一。下面是小編收集整理的泉州開元寺導(dǎo)游詞范文,，歡迎借鑒參考,。泉州開元寺導(dǎo)游詞（一）

我們現(xiàn)在已經(jīng)到了福建省內(nèi)最大的寺廟——泉州開元寺。開元寺占地面積78000平方米,。它規(guī)模宏大,，構(gòu)筑壯觀，景色優(yōu)美,，曾與洛陽(yáng)白馬寺,、杭州靈隱寺、北京廣濟(jì)寺齊名,。開元寺初名“蓮花寺“,，后改為“興教寺”、“龍興寺”,。唐開元二十六年（公元739年）唐玄宗下令全國(guó)各州建一座開元寺,，遂改現(xiàn)名。

人們常說(shuō)“自古名山僧占多”,，其實(shí)是冤枉了出家人,。與世無(wú)爭(zhēng)的僧人隱身在高山峻嶺之上，本意是修心養(yǎng)性,，卻常成為德高望重的高僧,，因而山以僧名，聞名遐邇,。而泉州開元寺就座落在平平無(wú)奇的鯉城區(qū)西街,，與凡世的隔絕只靠山門前這堵象征性的屏障一紫云屏，這無(wú)形中縮短了塵世與佛門的距離,。缺少名山大川的陪襯,，卻多了善男信女的親近,，這就是泉州開元寺的獨(dú)特之處。

泉州開元寺是全國(guó)重點(diǎn)文物保護(hù)單位,，也是福建省“十佳”風(fēng)景區(qū),，或許大家想知道，開元寺何以能夠聞名海內(nèi)外呢,？那就讓我們一起慢慢領(lǐng)略,、細(xì)細(xì)品味吧。

跨過(guò)山門就到了拜亭,。站在這里,，我們可以看到拔地而起的東西塔和寬敞明亮的東西兩廊對(duì)稱地排列在兩旁，而我們所在的位置就在開元寺的中軸線上,。佛教傳入我國(guó)巳有一千多年歷史,，并在中國(guó)落地開花，與中國(guó)文化融為一體,。開元寺的布局就突出了我國(guó)古建筑的南面為尊和中軸線為主的特點(diǎn),。

拜亭前的這個(gè)大石庭，是個(gè)“凡草不生”的拜庭,，供古今官民朝拜和活動(dòng),。每逢農(nóng)歷二十六日，這里人山人海,，梵唄聲聲,，一派泉南佛國(guó)景象。石庭兩邊分列著八棵200至800歲的大榕樹,，陰翳蔽日,，盤根錯(cuò)節(jié)，增添了開元寺靜寂,、莊嚴(yán)的氣氛,。樹下排列著11座唐、宋,、明時(shí)期不同形式的古經(jīng)幢,、小舍利塔，以及兩只贔屃,。庭中還置立著一座3米多高的石雕焚帛爐,，蓋鈕雕蹲狻猊，爐身周雕幡龍,、祥云,、蓮瓣、蔓草等紋飾，形制優(yōu)美,，雕工精妙,。焚帛爐稍后兩側(cè)，還有兩座南宋紹興十五年（公元1145年）泉州南廂柳三娘捐建的印度萃堵波的方形石塔,，塔上刻有薩錘太子舍身飼虎的故事,，是印度教在南宋時(shí)留下的痕跡。

在中軸線上的主體建筑,，就是眼前這座大雄寶殿,。因傳說(shuō)建殿之時(shí)有紫云蓋地，所以又叫紫云大殿,。大殿上方這塊巨匾寫有“桑蓮法界”四個(gè)魏碑風(fēng)格的大亨,，以應(yīng)桑開白蓮之說(shuō)。早在唐朝初期,，泉州已盛產(chǎn)絲綢,。這片地原是大財(cái)主黃守恭的桑樹園，后來(lái)捐給匡護(hù)大師建寺,。關(guān)于這件事,，有一個(gè)很動(dòng)人的傳說(shuō)：一天,，黃守恭夢(mèng)見有一個(gè)僧人向他募地建寺,，他說(shuō)等桑樹開白蓮花后就獻(xiàn)地結(jié)緣。幾天后,，滿園桑樹果然都開出白蓮花,，黃守恭深被無(wú)邊佛法所感動(dòng)，果然把這片桑樹園捐獻(xiàn)出來(lái),。其實(shí),，黃守恭本為樂善好施之人，桑開白蓮之說(shuō)乃是人們敬慕佛祖,，附會(huì)而成,，但這一神奇的傳說(shuō)卻為泉州人民所津津樂道，世代相傳,，因而開元寺也得了“桑蓮法界”的美稱,。

大殿正中供奉的是御賜佛像毗盧遮那佛，漢譯大日如來(lái),，是佛教密宗的最高神抵,。其兩旁是五代王審邽修大殿時(shí)增塑的四尊大佛，依次為東方香積世界阿閦佛,，南方歡喜世界是寶生佛,，西方極樂世界阿彌陀佛，北方蓮花世界成就佛，合稱五方佛,，也叫五智如來(lái),。這五尊大佛金光閃爍，衣紋清晰,，神容慈祥,，法相莊嚴(yán)，雙手分別作說(shuō)法,、施與,、接引、禪定等相,，工藝精巧,，令人嘆絕。五方佛的脅侍有文殊,、普賢,、阿難、迦葉以及觀音,、勢(shì)至,、韋馱、關(guān)羽,、梵王,、帝釋等諸天菩薩、護(hù)法神將共10尊,。在大殿后正中供奉著密宗六觀音的首座圣觀音以及善才,、龍女和兩翼神態(tài)各異的十八羅漢。開元寺歷代住持皈宗不一：有法相宗,、律宗,、凈土宗、密宗,、禪宗等宗派,，而大殿卻能保持這種罕見的規(guī)制，這既值得夸耀,，也是值得研究的,。

在五方佛前石柱和珩梁接合次，有兩排相向的24尊體態(tài)豐腴,、紋飾華麗,、色彩斑斕，雙翼舒展的天女,，梵文“頻伽”（即妙音鳥）,。據(jù)佛經(jīng)說(shuō)：此鳥發(fā)聲微妙,，仙音優(yōu)雅，連歌神緊那羅都不及她,。他們?cè)欠鸬氖陶?，而能工巧匠們把她們的下半身嵌人柱榫里，翼脅之下爪足外露,，上半身向前伸出,，昂首挺胸，短衣半袒,，櫻洛圈脛胚,，雙臂伸展，腕著馴鐲,，手棒文房四寶,，瓜果點(diǎn)心，絲竹管弦,，翩翩若仙,。他們不但給人以美的藝術(shù)享受，而且用以代替斗拱,，依托粗大的珩梁,，減少其過(guò)大的跨度，極為巧妙地將宗教,、藝術(shù)與建筑融合起來(lái),，令人稱絕。

藻井下分五級(jí),。壇臺(tái)的最上層供奉明代的盧舍那佛木雕坐像,，其所坐蓮花臺(tái)座有一千葉蓮花瓣,，每片蓮葉上各刻一尊6厘米大小的佛像,，十分精妙。盧舍那四周各層侍立著金剛鉤,、金剛索,、金剛鈴、金剛鎖四菩薩,，還有釋迦牟尼,、阿彌陀佛、寒山,、拾得,、千手觀音的及韋馱天將等24尊菩薩神像。其中尤以八大金剛塑像為最佳,。它們怒目結(jié)發(fā),，赤足袒胸,，顯得無(wú)比威嚴(yán)。環(huán)繞壇座的束腰處還有護(hù)三皈,、護(hù)五戒的各種神王牌64個(gè),。戒壇是佛教徒受戒的地方，這種神秘肅穆的氛圍,，正可使人敬畏不迭,，諸念俱滅，一心皈依,。據(jù)說(shuō)這種戒壇在全國(guó)已寥若晨星了,。常言道物以稀為貴，大家也算有眼福了,。

在中軸線的兩邊,，還有一些建筑群：東有由迦藍(lán)祠改建的檀樾祠，紀(jì)念施主黃守恭,。黃氏四安（南安,、惠安、同安,、安溪）后裔及海外紫云家族無(wú)不以此為榮,。有俗稱“小開元寺”的準(zhǔn)提禪林，原供奉天臺(tái)宗的準(zhǔn)提菩薩,；西有尊勝院,，現(xiàn)已開辟一部分為弘一法師紀(jì)念館，有水陸禪寺,，以供寺僧棲息,。

聳立在拜庭兩側(cè)廣場(chǎng)中，相距約200米的八角五層樓閣式仿木結(jié)構(gòu)石塔就是泉州東西塔,，它是開元寺的重要文物,。它以塔身的雄偉、形制的奇妙,，建筑的神工和雕鏤的精美而揚(yáng)譽(yù)海宇,，吸引著自宋至今的無(wú)數(shù)中外學(xué)者和游人前來(lái)游覽、觀瞻,、揣摩和研究,。

泉州開元寺石塔是我國(guó)古代石構(gòu)建筑瑰寶。從石塔的建筑規(guī)模,、形制和技藝等方面來(lái)看,，都可以說(shuō)得上精妙絕倫。它充分體現(xiàn)了宋代勞動(dòng)人民高度的智慧和偉大的創(chuàng)造性,。它不但在中國(guó)石塔中堪稱佼佼者,，在世界上也是首屈一指的,。它既是中世紀(jì)泉州海外交通鼎盛時(shí)期社會(huì)空前繁榮的象征，也是泉州歷史文化名城特有的標(biāo)志?，F(xiàn)在,，東西塔影雕作品已成為我市最高層領(lǐng)導(dǎo)人饋贈(zèng)佳賓的珍貴禮品。因此可以說(shuō),，東西塔已成為泉州的象征,。既是泉州人民的驕傲，也是海外僑胞和寶島同胞所憧憬的鄉(xiāng)影,。即使是沒有到過(guò)泉州的人也常在說(shuō)：做人要“站著像東西塔,，躺著像洛陽(yáng)橋”，可見東西塔在他們心目中的份量,。

大凡名剎,，必有名僧。歷代的開元寺僧人,，或以佛學(xué)著作稱勝,，或以詩(shī)詞文章聞名，或弘道揚(yáng)名,，或入世獻(xiàn)身,，代有高僧：唐代的開山祖匡護(hù)大師，五代唯識(shí)大師,，律宗釋弘則,，凈土宗釋楚勤，南禪釋文展,，橋成造化的釋義波,，禪宗第一住持釋妙恩，溫陵禪師釋戒環(huán),，藹益大師釋智旭,，“為文似柳、為詩(shī)似陶“的釋大圭,，更有“念佛不忘救國(guó),、救國(guó)不忘念佛”、集佛學(xué),、書法、金石,、音樂,、繪畫、詩(shī)文于一身的現(xiàn)代律宗高僧弘一法師,。

開元寺的得道高僧,，也有不少出國(guó)弘法,。如清朝順治年間的木庵禪師，漂洋過(guò)海,，揚(yáng)名東瀛,，成為日本黃檗宗的第二世傳人；新中國(guó)成立后的轉(zhuǎn)逢老和尚,，足跡遍及印尼,、尼泊爾、緬甸,、泰國(guó),、新加坡、馬來(lái)西亞?，F(xiàn)任住待道元法師也曾應(yīng)邀前往巴西弘法,，禪風(fēng)遠(yuǎn)播。

“佛國(guó)名傳久,，桑蓮獨(dú)擅聲”,，泉州開元寺以其悠久的歷史，神奇的傳說(shuō),，獨(dú)特的規(guī)制,，巧妙的建筑、珍貴的文物,、優(yōu)美的藝術(shù)和卓越的聲譽(yù),，正吸引著成千上萬(wàn)的僧民信眾和十方游客前來(lái)禮朝膜拜，旅游觀光,。

女士們,，先生們，參觀完泉州開元寺,，您是否有不虛此行的感覺呢,？您是否對(duì)泉州這個(gè)宗教歷史博物館有更深的了解呢？但愿主城泉州豐富的人文景觀與美麗的自然風(fēng)光能在您心中留下美好的回憶,。

今天我們所到的泉州市是一座有2000多年歷史的文化名城,，泉州被譽(yù)為“世界宗教博物館”，在這里,，道教,、伊斯蘭宗教、儒教,、基督教,、佛教和平共處，這也體現(xiàn)了泉州人兼容的氣度和寬闊的胸懷,。今天我們參觀的開元寺是一座最為突出,、最具代表性的千年古剎,。而開元寺的東西塔則是泉州古城的標(biāo)志，我們?nèi)萑顺Ｕf(shuō)：站著要像東西塔,，躺著要像洛陽(yáng)橋,。可見東西塔在泉州人們心目中的重要地位,。

開元寺始建于唐垂拱二年（公元686年）,，距今已有1300多年的歷史占地面積7.8平方米，是福建省最大的寺廟之一,。好,，各位團(tuán)友，已經(jīng)來(lái)到了開元寺內(nèi),，在這里我想問問大家,，遠(yuǎn)看這兩座塔，大家猜它是用什么做的,，?。倓傆腥苏f(shuō)像是木頭做的,，又有的說(shuō)是像磚做的,，也有的說(shuō)是銅做的，那還是讓我們到近處瞧瞧去,，?。〈蠹叶寂苋ッ?，應(yīng)該知道答案了吧,，對(duì)它是用石頭做的，但非常像木頭做的,，這座塔是仿木結(jié)構(gòu),，特別是用花崗巖石表現(xiàn)仿木斗拱結(jié)構(gòu)，是最具權(quán)威性的成就,。這對(duì)姐妹塔,，也是我國(guó)現(xiàn)存最高大的宋代石塔，也是泉州古城的標(biāo)志,，他可是一位歷經(jīng)風(fēng)雨的老者,，兩塔最初皆為木塔，后毀于火災(zāi),，后又用磚,，最后改建成現(xiàn)在的五層石塔，東西塔歷經(jīng)740多年風(fēng)雨雷電以至8級(jí)大地震的摧撼,，至今依然巍然,，堪稱石塔之冠。東塔“鎮(zhèn)國(guó)塔”高48米多,，西塔“仁壽塔”高45米多,，當(dāng)年，建塔的工匠們把東西塔,，特別是東塔,，每一層的八個(gè)面壁上，都嵌刻了如同真人一般大小的佛教人物浮雕,。表面佛法的莊嚴(yán),。大家看東塔的的人物浮雕從他們的表情、發(fā)型,、服飾,、兵器、手勢(shì)是如此形象,，及細(xì)微處的衣服上的絳帶都有有數(shù)十種花樣,，如果不是對(duì)生活的熟知，憑想象是設(shè)計(jì)不出來(lái)的,。大家可以仔細(xì)地看塔身,，我們可以看見菩薩、高僧,、羅漢,、神將、金剛等琳瑯滿目的人物浮雕,，而今天我想給大家介紹不引起我們注意的在東西塔的須彌座轉(zhuǎn)角位置上的16尊侏儒,，別小年這些貌不驚人的畸形人，但他們智力不亞于常人,，而且又有體力,，所以古代的達(dá)官司貴人常把他們當(dāng)作苦力來(lái)役使。中國(guó)的古建筑常在二根橫梁之間豎一短柱作為支撐,，因又矮又粗,，所以叫做“侏儒柱”。

《營(yíng)造法式》一書中,，也把這個(gè)建筑上的重要構(gòu)件稱作侏儒柱,。在佛教造像藝術(shù)中，常把扛負(fù)須彌座的力士塑造成侏儒的形象,。最早可以追溯到印度中央邦的桑奇大佛塔,，塔上有一幅《阿育王禮佛》浮雕，畫面上阿育王在宮廷侍女環(huán)繞之中，從跪伏的大象背上下來(lái),，準(zhǔn)備去社拜釋迦牟尼卒堵坡坡,，他把匍匐在地的侏儒當(dāng)作踏階，于是侏儒托舉負(fù)重,，也就成為佛教建筑和造像藝術(shù)中常見的形象,。泉州東西塔須彌座16尊侏儒，每尊只有30厘米高,，采用的是深浮雕技法,。這些侏儒大家看，個(gè)個(gè)都是矮矮墩墩,、裸胸凸肚,，他們各據(jù)一角，以身當(dāng)柱,，作出聳著肩,，拱著背，頂托巨塔的姿勢(shì),；有的穿無(wú)袖短衫,，有的褲子滑在肚臍下，有的單膝跪地,，有的半蹲半起,，有的兩手舉托，有的雙手撐膝,，有的歪關(guān)側(cè)腦,，有的憋氣運(yùn)力，有的齜牙咧嘴,，有的故扮鬼臉,，有的滿面苦相，一個(gè)個(gè)拚力賣命,，不堪其重,，每塔都有一個(gè)侏儒把拇指和食指放在嘴里作吹唿哨狀，好像是個(gè)領(lǐng)頭的,，在指揮大家一起出力,，這些沒有生命的石雕侏儒，引人同情又使人揪心,。他們比塔上的人物浮雕和須彌座的佛傳圖浮雕更富有藝術(shù)的魁力和深刻的思想,。泉州東西塔須彌座的侏儒，不失為當(dāng)時(shí)社會(huì)的寫照,，把侏儒的忍苦受罪的樣子真實(shí)的表達(dá)出來(lái)了,。泉州東西塔創(chuàng)造了具有宋朝那一個(gè)時(shí)代的造型藝術(shù)也可從這對(duì)姐妹塔中看出南宋時(shí)代的科技水平,，近年?yáng)|塔入選中國(guó)“四大寶塔”郵票發(fā)行。從布局來(lái)看,，東西塔是開元寺建筑群的組成部分,，從塔的自身來(lái)看，又是獨(dú)立的建筑,，也許可以說(shuō),，開元寺就像是一壺好茶,，需要慢慢品嘗,，細(xì)細(xì)回味，自有無(wú)窮余韻在心中,。

好,，各位團(tuán)友，看完?yáng)|西塔后,，現(xiàn)在我們有15分鐘照相時(shí)間,，15分鐘后，我們將繼續(xù)參觀開元寺,，謝謝,！

遠(yuǎn)道而來(lái)的各位朋友，旅途辛苦了,，歡迎來(lái)到泉州開元寺,。人們常說(shuō)：不游開元寺不算到泉州。如果說(shuō),，泉州是“世界宗教博物館”,，那么，開元寺就是其中的佼佼者,；如果說(shuō)泉州素稱“泉南佛國(guó)”,，那么開元寺便是最為突出、最具代表性的千年古剎,。而開元寺內(nèi)的東西塔則是泉州古城的標(biāo)志,。

在我們生活的年代，高樓大廈的建設(shè)者運(yùn)用現(xiàn)代化機(jī)械從事“高空作業(yè)”,，古代呢,？沒有起重機(jī)，沒有大吊車,，更談不上“直升飛機(jī)”和“電腦設(shè)計(jì)工程”,，然而華夏祖先用他們的聰明才智和勤勞的雙手創(chuàng)造了無(wú)數(shù)令世人驚嘆的古建筑。大家看,，聳立在草坪上的兩塔就是其中之一,。我國(guó)古塔專家羅哲文教授曾望塔興嘆：“鬼斧神工”！

據(jù)《寺志》記載：東西塔建于南宋，前后歷時(shí)22年,。令人嘆為觀止的是古代泉州人因地制宜,，就地取材。兩座塔重約19510噸,，上上下下,，里里外外，全部用花崗巖依照木頭入榫的結(jié)構(gòu)建造而成,，這在中國(guó)古塔建筑史上相當(dāng)罕見,，充分體現(xiàn)了我國(guó)宋代高超的建筑水平。

我們眼前的是東塔“鎮(zhèn)國(guó)塔”,，建于南宋,，塔高48.24米，是中國(guó)現(xiàn)存最高,、最大的石塔,，被譽(yù)為“石塔之王”。近年入選中國(guó)“四大名塔”郵票發(fā)行,。而西塔“仁壽塔”高度與東塔相差四米多,，為44.06米，先東塔十年而建（公元1228—1237年）,。兩塔相距200米左右,，配對(duì)成雙，俗稱“東西塔”,。

各位團(tuán)友,，您可以抬頭數(shù)一數(shù)這東塔共有幾層？是的,，它并非我們平時(shí)所說(shuō)的“七級(jí)浮屠”,，而是五層八角樓閣式建筑，就佛教含義而論,，五層古塔象征中國(guó)南方較為盛行的大乘教“五乘說(shuō)”,。同時(shí)，各位還可看到石塔每層都有人物浮雕像,，合計(jì)一塔共有80尊,，兩塔則有160尊石雕人物像，這些人物大都是中外歷史上對(duì)佛教頗有建樹的名家,。尤其引人注目的是在西塔的兩尊人物浮雕,，一是長(zhǎng)胡須的蓮花觀音，二是手持大刀保護(hù)唐三藏去西天取經(jīng)的孫行者,。有人確認(rèn)這位誕生于南宋的孫行者是成書于明代的《西游記》中孫悟空的“原始模特”,。說(shuō)來(lái)有趣,，90年代，六小齡童到泉州開元寺時(shí),，曾被邀請(qǐng)登上西塔與南宋的石刻“孫行者”合影留念,，本地傳為佳話。

各位還可看到,，在東塔下面須彌束腰部位有四十方連環(huán)畫式的石刻浮雕畫,，其中有一圖“經(jīng)來(lái)白馬”尢為珍貴，它講述的是佛教如何傳入中國(guó)的故事,。其它幾十幅浮雕畫取材的大部分是兩千五百多年前,，印度佛教創(chuàng)始人釋迦牟尼誕生—出家—悟道—成佛等經(jīng)典故事，而上述故事中人物穿的卻都是中國(guó)宋代服飾,，真可謂是“入境隨俗”,。

拔地而起的東西塔創(chuàng)建至今七百多年，經(jīng)受了風(fēng)雨雷電的洗禮,。特別是公元1604年（明萬(wàn)歷年間），它們與泉州另一標(biāo)志景觀——宋代洛陽(yáng)橋一同經(jīng)受了八級(jí)大地震的嚴(yán)峻考驗(yàn),，東塔剎頂上八條鐵鏈震斷了七條,，塔身安然無(wú)恙，洛陽(yáng)橋同樣紋絲不動(dòng),。迄今為止,，雙塔塔基沒有下沉，塔身沒有傾斜,，雙塔屹立如山,、巍巍壯觀。所以,，在泉州流傳這么一句話來(lái)形容做人要有骨氣的名言,，“我站起來(lái)就是東西塔，躺下去就是洛陽(yáng)橋,?！?/p>

可以說(shuō)，東西塔是歷史文化名城泉州的標(biāo)志,，也是泉州古建筑的“制高點(diǎn)”,。“欲窮千里目,，更上一層樓”,，可惜出于文物保護(hù)的目的，我們今天無(wú)法登塔,。他日若有機(jī)緣,，各位登塔遠(yuǎn)眺,，泉州風(fēng)光盡收眼底，意趣無(wú)窮,。

東西塔講解到此結(jié)束,，給大家10分鐘時(shí)間，與這巍巍東塔合影留念,。謝謝,！

順義開元寺是我國(guó)著名佛教寺院建于唐玄宗開元二十六年（738）。時(shí)國(guó)中奉詔選十大州郡各建大寺均以“開元”名之此寺即其中之一,。元代稱開元寺為開元萬(wàn)壽禪寺明代起改稱為開元鎮(zhèn)國(guó)禪寺至今,。開元寺經(jīng)歷代修建帶有宋、元,、明,、清的建筑風(fēng)格和藝術(shù)特色。開元寺位于北京市順義區(qū)開元路規(guī)模龐大肅穆壯觀,。原占地100畝,，現(xiàn)存203畝是一組較完整的唐代建筑群。其山門外照壁嵌有“梵天香界”石刻,。全寺內(nèi)分四進(jìn)分別為金剛殿,、天王殿,、大雄寶殿,、藏經(jīng)樓。東西有廊廳縱深60余米建有觀音閣、六祖堂,、地藏閣,、方丈廳等。

其主體建筑大雄寶殿建在高出地面的臺(tái)基上面闊5間進(jìn)深4間重檐歇山頂?shù)罴挂院J、雉尾為裝飾。大殿和殿臺(tái)四周的石欄板上嵌有唐代石刻78塊敷演釋迦牟尼的生平事跡并刻有猴子蓮花等動(dòng)植物圖案。殿前有1對(duì)石經(jīng)幢上鐫《準(zhǔn)提咒》和《尊生兒》。

殿內(nèi)神案前有元泰定二年1325用隕石刻成的大香爐凈高15米由大小6層疊成上鐫“天人獻(xiàn)花”字樣及走獸、蟋龍,、變蓮瓣,、梅花鹿等圖案刀鋒犀利棱角分明刻工精美是十分珍貴的文物,。殿內(nèi)還有建于明末的金漆木雕千佛塔璀璨奪目,。塔基6個(gè)柱頭分別刻成6尊力士基座6面浮雕唐僧取經(jīng)故事人物栩栩如生,?；拿總€(gè)門洞均置十八羅漢及二十四諸天尊塑像,。此外還有南宋政和四年（1114）鑄造的千斤銅鐘、元代的銅聲板等一批珍貴歷史文物,。寺內(nèi)的藏經(jīng)樓至今還保存著8大櫥乾隆欽賜的雍正版《大藏經(jīng)》7240卷內(nèi)有漢、番,、梵對(duì)照本還有木刻印刷的佛教故事,、連環(huán)圖卷其數(shù)量之多資料之全為國(guó)內(nèi)寺院所罕見,。

蜚聲海內(nèi)外的泉州開元寺，位于泉州市區(qū)的西街,，始建于唐垂拱二年（686）。寺址原為州民黃守恭家桑園,，相傳桑樹曾開白蓮花,，故獻(xiàn)園與僧匡護(hù)建寺,，朝廷賜額“蓮花寺”,。長(zhǎng)壽元年（692）改名“興教寺”,，神龍?jiān)辏?05）又更名“龍興寺”。唐玄宗開元二十六年（738）詔天下諸州各建一寺,，以紀(jì)年為名,，遂改稱“開元寺”。大中元年至六年（847—852）間,，華嚴(yán)宗僧行標(biāo)曾駐錫此寺,。大中二年（848），天臺(tái)宗僧令言于開元寺西創(chuàng)支院“西羅漢院”,。五代閩國(guó)時(shí),，泉州刺史王審邽、王延彬父子篤信佛教,，于開元寺西北創(chuàng)支院,。

當(dāng)時(shí)佛教各宗派十分活躍，如唯識(shí)宗僧道昭居羅漢閣治唯識(shí)學(xué),，律師知琀為支院泗洲律院開山,，禪宗青原系義存禪師再傳弟子、道溥禪師的弟子清豁居支院上方院,。至宋初開元寺共有120個(gè)支院,，但不相統(tǒng)屬。宋代,，各宗派仍共存于開元寺,。如熙寧年間（1068—1077），云門宗有評(píng)禪師主支院棲隱禪院,；元豐年間（1078—1085）,，本州資壽院云門宗捷禪師法嗣可遵禪師主尊勝院；建炎年間（1127—1130）,，敦照律師居支院觀主院,，并按《南山戒壇圖經(jīng)》建甘露戒壇,；淳熙年間（1174—1189）,，凈土宗僧了性及其徒守凈創(chuàng)支院極樂院。元至元二十二年（1285）,，泉州僧錄劉鑒義向福建行省平章伯顏申請(qǐng),，經(jīng)朝廷準(zhǔn)許并為一寺,，賜額“大開元萬(wàn)壽禪寺”,。次年，由臨濟(jì)宗楊歧派雪峰可湘禪師之徒妙恩任住持,。

其后40年中,，禪風(fēng)遠(yuǎn)播，衲子競(jìng)集,，寺僧達(dá)千人之多,，是泉州開元寺最鼎盛的時(shí)期。元末社會(huì)動(dòng)蕩,，寺亦隨之衰微,。明洪武三十一年（1398），朝廷命曹洞宗名僧正映為住持,，重建甘露戒壇,，一度中興。正映之后寺又趨荒落,。成化,、弘治間（1465—1505），僧眾流散四方,，火藥匠占據(jù)戒壇,。萬(wàn)歷初年（1573—1575）僧舍成為民居，戒壇,、法堂淪為匠人之宅,。二十二年（1594）檀越黃文炳稟于地方官，驅(qū)走匠人,，恢復(fù)戒壇,。崇禎八年（1635），曹洞宗中興名僧元賢來(lái)寺開法,，四眾云集,。崇禎十年（1637）,，總兵鄭芝龍倡修大雄寶殿，全部換以石柱,，開元寺開始復(fù)蘇。民國(guó)時(shí)期,，圓瑛,、轉(zhuǎn)物和轉(zhuǎn)道三法師發(fā)愿重興，遂向海內(nèi)外勸募重修,，當(dāng)時(shí)轉(zhuǎn)道慷慨出缽資數(shù)萬(wàn)元以為開辦費(fèi)用,。圓瑛與轉(zhuǎn)物于1924年9月進(jìn)寺。圓瑛主持開元寺后,，通過(guò)黃守恭后裔黃孫哲,、黃祝堂向黃仲訓(xùn)、黃奕注和黃秀烺等先生勸募,，他們分別負(fù)責(zé)修建法堂,、東塔、西塔三大工程的費(fèi)用,。修復(fù)工程達(dá)三年之久,，至1927年才陸續(xù)完成。后來(lái)寺院的部分又長(zhǎng)期被占作軍營(yíng),，或成為囚禁壯丁的場(chǎng)所,。

抗日戰(zhàn)爭(zhēng)期間，大雄寶殿及藏經(jīng)閣部分建筑又遭日機(jī)轟炸,，寺內(nèi)文物古跡受到嚴(yán)重破壞,。目前寺的范圍南北長(zhǎng)260米，東西寬300米,，占地面積78000平方米,。正面和西面環(huán)立白石柵欄，并栽刺桐,。寺內(nèi)殿閣基本上屬明代建筑風(fēng)格,。中軸線上的建筑依次為紫云屏、天王殿,、拜亭,、大雄寶殿、甘露戒壇,、藏經(jīng)閣等,。天王殿后廊連接著一座卷棚歇山式的四角形拜亭，連著拜亭是一片開闊的花崗石鋪地的平坦石庭院,，此即拜庭,，面積有2800平方米；庭中八株古榕,，虬枝相接,。拜庭兩側(cè)還立有10座舍利塔和一座石經(jīng)幢，還有2座建于南宋紹興十五年（1145）的印度窣堵坡式方型石塔,。大雄寶殿,，一稱紫云大殿，又因間架植立石柱百根（實(shí)94根）,，亦稱百柱殿,，面積1400平方米,。殿為重檐歇山式,，為明末鄭芝龍重建,。殿內(nèi)飛梁迭棟,，斗拱雕刻飛天樂伎24尊,。佛壇正面祀丈八金身五方佛，為福建寺院所僅見,。后殿中奉觀世音菩薩,，兩側(cè)為十八羅漢。殿前月臺(tái)寬大,，臺(tái)座壁面束腰部分,，嵌有72幅獅身人面青石浮雕，還有兩根青石柱,，系從明代廢圮的婆羅門教寺廟中移來(lái)。

戒壇是中軸線上第二臺(tái)階的建筑?，F(xiàn)有建筑為五重檐八角攢頂式,，系清康熙五年（1666）仿宋建筑，面積654平方米,。壇為圓形,，計(jì)分五層，壇上的立柱和四面雕梁之上,，有24尊木雕的飛天樂伎,，但有飄帶，與大雄寶殿的不同,。藏經(jīng)閣是寺內(nèi)中軸線上第三臺(tái)階的建筑,，其前身為法堂,，如今所見到的是1925年改建的雙層樓閣，重檐四角,、鋼筋混凝土結(jié)構(gòu),，面積1800平方米。

閣內(nèi)藏經(jīng)相當(dāng)豐富,，計(jì)有4萬(wàn)多卷,，其中著名的有宋版元刊《崇寧萬(wàn)壽藏》與《毗盧藏》的殘卷，此外還有五代僧義英手寫的《金銀藏》殘片,、元代僧如照的血書《妙法蓮華經(jīng)》、明代僧蕅益親筆題識(shí)的《梵網(wǎng)經(jīng)》與明刻本《華嚴(yán)經(jīng)》等,。在寺大殿東西兩側(cè)相距約200米處各有一塔,，東塔名鎮(zhèn)國(guó)塔，西塔名仁壽塔,。這兩座建于宋代的精美石塔均為五層八角仿木結(jié)構(gòu)樓閣建筑,，東塔通高48.27米，西塔高44米,。兩塔塔身上下還有精湛的石雕,，內(nèi)容以佛陀的本生故事為主。開元寺與東西塔已成為歷史文化名城泉州的象征之一,。寺中軸線兩邊除東西塔外,，東側(cè)建筑有檀越祠，原祀黃守恭,。準(zhǔn)提禪林為東側(cè)第二建筑,，俗稱小開元。西側(cè)有功德堂,、弘一法師紀(jì)念館,、水陸寺與桑蓮古跡等。

泉州景點(diǎn)導(dǎo)游詞篇五

泉州導(dǎo)游詞

overview of quanzhou touristryquanzhou is a well-known hometown for overseas chinese and a majority of the han population in total population in the municipality is over 6.7 9 million of han nationality in taiwan are originally from recent years, the number of visitors from taiwan, hong kong and macao has been come back for pilgrimage to their visit ancestors’ graves, visit their families and friends, make investments and conduct business and has greatly promoted the social and economic development in ou is one of first 24 important national historic and cultural cities announced by the state tang dynasty to yuan dynasty, “citong port” in quanzhou was one of the major ports for foreign was the departure point of “marine silk route” and enjoyed the grand reputation of “l(fā)argest oriental port”.the city has numerous famous scenic spots, cultural and historic 399 protected cultural relics in the city, 12 are of state level and 37 are of province u ancient town “natural film studio” and “beidaihe in the south”.it is located at chongwu township, the coastal jag in the east of hui-an site covers an area of 300 mu, winding along the coastline, composed of chongwu ancient town, hui-an women glamour, the granite carving museum, and earth well-preserved t-shaped city wall of chongwu ancient town is located on just the opposite of the scenic is regarded as “case of the ancient systematic civil work due to its unique area has been listed by provincial tourism bureau as the key construction project for tourism and announced by quanzhou municipal government as the first batch of famous scenic spots, receiving over one million tourists each an mountain quanzhou is 2 km from the down town and directly accessible by sight is known as “no.1 penglai mountain in fujian province” and the “back garden of quanzhou”.the scenic sight covers a total area of 62 km2, consisting qingyuan mountain, jiuri mountain, lingshan secret tomb, and an mountain has three national key culture relics located on 8 most attractive site is the giant granite statue of an old gentleman, which is 5.63 meters high, 6.85 meters thick and 8.01 meters ng an area of 55 m2, it is the largest taoist granite statue existing at present in addition, there are also islamic tombs in song dynasty, qifeng rock calligraphy group on jiuri mountain, the granite statue of “sanshifu(three-generation buddha)”of tibetan buddhism of yuan dynasty, the giant granite statue of “amituofu”, and the buddhist relics of hongyi master, the senior monk in modern history, and the buddhist relics of hui-an native guanqin master monk which is brought back from mountain has gathered rock calligraphies of taoism, confucius, buddhism, muslim, muni, as well as many fine calligraphy since tang and song dynasties, hence the name of “museum of stone carving”. mountain sacred tomb

fengze district forest is the best protected muslim relics existing in an area of 300 m2, the existing tomb is a pagoda shaped islamic tomb, located in the north and facing the tomb, measuring 2.15 meter long, 1.1 meters wide and 0.6 meters tall, is structured in three the east, west and north of the tomb are horse-shoe shaped protection cloisters for 9 chambers which are 11 meters wide and 1.04 meters the cloisters, there are 5 monument stones of different front there is a shining-green monument stone carved with arabic the right it is the monument stone which was laid when zhenghe came to burn joss sticks before he started the 5th voyage the arab world, the tomb on the ling mountain is the third important sacred tomb, next to muhammad’s tomb in mecca and ari tomb in ng mosque national key culture relics, it is located in the middle section of tumen street, licheng district, covering an area of 2500 ng mosque faces the street in the south, with a pointed dome dome has three layers: inside, middle and the external wall, there is a statue on the top, which is carved with “alcoran” in back wall of the mosque is carved with ancient arabic script, recording the time of construction and repair and the the mosque, there is a stone carving of the emperor’s instruction about the protection of the islamic mosque in yongle year 5 of ming dynasty(1407).on top of the mosque gate, there is a platform named “platform looking at the moon” which is built with bricks in the shape of n temple national key culture relics, it is a 1000-year old temple, famous in china and in wuzetian chuigong year 2 of tang dynasty(year 686), the temple is located in the west street of lincheng district, quanzhou, fujian temple has a history of over 1300 years, covering an area of 78,000 n temple is evenly laid in ng from the gate, there are the hall of heaven king, praying pavilion, east and west corridors, the precious hall of great hero, ganlujietan, and scripture buildings are laid spectacularly and neatly in a kaiyuan temple, there stood the east pagoda and the west pagoda, which are also called ziyun couple east pagoda is named zhenguo pagoda, which was made from the wood initially and later replaced by the brick at the height of 48.24 west pagoda is named renshou pagoda, which was built from the timber sent by wang shenzhi, the king of was named “emotal pagoda”.it was replaced by brick structure in the northern song dynasty and changed again to stone pagoda in the southern song dynasty at the height of 44.06 west pagoda was built 10 years earlier than the east pagoda

g bridge

a national cultural relics located over luoyang river, 20 km northeast off construction of the bridge started in 1053 and was completed in length is 834 meters and width, 7 meters, with 31 the two sides of the bridge, there are fences, on top of which there stand delicately carved lion stone bridge is also decorated with 7 pavilions, 9 pagodas and knight statues standing at each the unique architecture, the bridge is famous both at home and abroad and has gained the reputation of “no.1 bridge across the sea”.on the outside of the bridge, there are 500 carved stone railings and 28 carved stone lions, symbolizing 28 famous craftsmen;and 81 buddha statues, including the moon the north of the bridge, there is a courtyard, which is known as the no.1 courtyard in the south of fujian province.7,、anping bridge a national key culture relic located at anhai town of jingjiang city, fujian province, access to the highway between fuzhou and xiamen and the national road no bridge extends over the bay between anhai township of jingjiang and shuitou township of construction of the bridge started in shaoxing year 8 of song dynasty(1138)and completed in shaoxing year 22(1152).made of granite piers, the bridge is 2700 meters long and it was the longest bridge in the ancient times, known as “no bridge would be longer than this bridge”.the construction of anping bridge is unique, because the original piers were designed in three different shapes: square, semi-boat, and foundation of the bridge adopted “sunken foundation covered by wood” and wooden piles respectively according to the different earth surface of the bridge was laid with granite slates of 5-11 meters long and 4.5-25 tons bridge surface was laid by utilizing the rising and falling of the mountain the territory of dehua, in the middle of fujian province and the southeast part of mid daiyun mountain mountain is famous for its vicious cliff, strange-shaped rocks, strange-looked trees and mysterious the park, there are high mountains and a dense forest, with humid climate, excellent natural environment, and is a kingdom of plants and paradise of major tourism attractions include the main peak of niushi mountain, daixian double water falls, bamboo raft drifting on taoxian stream, rubber boat drifting on shilong stream, tadou hot spring, peach-flower island, the relics of fujian provincial committee forest ecological sightseeing zone as a national aaaa scenic spot and provincial natural reserve, it is located at xiayang town, the west of yongchun county, quanzhou of fujian forest is the extension of daiyun mountain with an attitude of 1,105 is the largest and best preserved primary forest at present in south main sightseeing area in niumu forest ecological zone covers 1,000 ha, consisting over 40 scenic most famous sites are the ecological and scientific popularization museum, orchid garden, yongchun tangerine orchard, qingqian liule garden, cuckoo castle, board root, strangled killing, parasitic cauline flower, fujian phoebe trees, yew, foliage, woniutan, zhonglidizhu, entertainment activities offered for tourists include cable sliding at high altitude, grass ski fashion, mock hunting, standard shooting, archery, and jungle field qingshui crag

as national aaaa scenic spot and provincial-level culture relics, it is a tourist attraction and religious shrine, located on penglai mountain, 15 km northwest from the anxi county suburb, the hometown of the iron buddha ng a total area of 11.1 km2 with the peak reaching the altitude of 767 meters, it consists of the temple and pilgrimage zone, qiyu(praying for rain)ecological zone, qinshan recreation zone and memorial convenience of transportation, it is about 70 km from quanzhou, 100 km from xiamen and 120 km from existing temple was built after 1966 and qingshui crag is the burial place of qingshui master monk, a famous monk in song re is a belief of qingshui master monk has a wide influence in the southern fujian province, taiwan and southeast asian taiwan alone, there are over 200 temples named qingshui ou delicacies and specialities

ou glutinous rice dumpling of meat stuffing

the glutinous rice dumplings of meat stuffing are made in a dainty ingredients are mainly glutinous rice, together with half-fat pork and other ingredients, such as taro, chestnut, bran shrimp, lotus seed, chicken, ham and bamboo ou yuanhetang preserved fruits and vegetables

quanzhou yuanhetang preserved fruits and vegetables are traditional foods, made from different varieties of fruit and enjoy a great reputation all over the world for their sweet and pleasant taste.“yuanhetang” is a 80-year-old firm processing preserved fruits and the function of nourishing the stomach and spleen;promoting appetite, yuanhetang products are regarded as the best selection for entertaining guests while drinking as chinese originally from the southern fujian province like to take yuanhetang preserved fruits and vegetables back to their residential country while people in china like to choose “yuanhetang” products as souvenirs for their overseas relatives and tie kuan-yin tea

anxi iron kuanyin tea also known as heart kuanyin tea and red shape kuanyin is the top quality wulong tea, the famous tea produced in fujian iron kuanyin tea produced in anxi county, quanzhou municipality contains a number of biological alkaline, vitamins and tannin, protein and aromatic has the special function of easing anxiety, improving eyesight, preventing arteriosclerosis and cancer, extending youth and mitigating ou puppet head

quanzhou puppets have a complete image in figures are widely selected from the figures and roles in the folk operas and legends, roughly spanided into 5 major types: sheng(male), dan(young female), jing(painted face, male), mo(middle aged male), chou(clown, male or female).there are over 300 puppet masks, which display beautiful shapes, vivid drawings, clear characters, unique artistic styles and local -an granite sculpture

hui-an granite sculpture is a folk carving craftwork, made from top quality granite(shining-green rock)and carved finely into different sizes of delicate handicrafts, such as round carving, floating carving, line carving, and shadow granite sculptures produced in hui-an can be either large as the size which should be lifted and installed by cranes or can be small as the size which can float on the surface of the are beautiful in shape, fine in workmanship, unique in artistic style and strong in local -an granite sculpture has a history of 1600 years, well-known as the “home of granite sculptures”.-an bear gall

fujian guizhentang pharmacy development utilizes the rich resource of bear gall from qianshan group and has developed qianshan brand bear gall products, such as bear gall powder, bear gall health tea and bear gall company uses the extracted substances from bear galls with other valuable chinese herb medicine to develop different varieties of new galls are bitter in taste and cold in nature, having the function of clearing the heat, relieving spasm, improving eye-sight, and killing ing to the chinese medicine, bear gall is effective in curing red eye disease, sore throat, infantile convulsion of children, indigestion and pain caused by zhi panacea leaven

laofanzhi panacea leaven is a processed traditional chinese medicine, which is a light grey coloured block in aromatic smell and slightly sweet the functioned in adjusting the stomach, nourishing the spleen, expelling wind-evil, settling indigestion, and promoting appetite, resolving wetness, it can be applied to treat flue and cold, heat exhaustion in summer, stomach-ache caused by indigestion and vomiting and ou rice sculpture

“zhauggaoren(rice figure)” is made of ground rice(glutinous rice), wheat flour and skill of making the rice figures mainly relies on the dexterous tools needed are also simple: small scissors, fine comb, gold paper, feathers, bamboo strap and iron figures made from the dough are generally taken from the stories in four famous major chinese works, such as “the master travels to the west with his apprentice to obtain scriptures”, “three brothers in the peach orchard”, “twelve golden hairpins” and “wusong kills tiger”.the figures are they are made, it takes several days for them to dry under the sunlight, and then paint with a coat of oil to make them shine and to preserve them for a long ou folk colour cotta

quanzhou folk colour cottas are made from paper as figures of ancient work of making colour cotta is spanided into standing work and sitting standing work generally refers to making large scale works, such as “giant mountain” “l(fā)ingcuo” and “colour building while sitting work refers to making fine works, including famous figures, birds and modern colour cotta techniques, the material is earth, wax, plastics, cloth and silk to enhance the expressive folk colour cotta in quanzhou has a broad influence in china and works of “56 ethnic groups”, “hui-an maidens”, “maidens form tea producing area”, “girls from fishermen family”, “l(fā)ady of southern music” designed by quanzhou jingxiu firm have won excellence prizes on the first china tourism souvenir competition, and the prize of the best commodity on the first fujian provincial tourism un painted bamboo baskets

yonghcun painted bamboo baskets are unique traditional handicrafts produced are made from over 20 raw materials, including gold foil, fine bamboo skin, raw paint, chinese wood oil, xiabu, dongfen through over 30 procedures of moulding, boiling, lining, and painting for over two are over 100 varieties of products including flat baskets, patterned baskets and full baskets, shaped in round, ridged, hexagon, oval, as well as fruit boxes and painted plates.11yogchun paper woven picture

yongchun paper woven pictures are a special traditional handicraft, initiated at the end of sui dynasty and the beginning of tang dynasty, with a history of over 1400 pictures have been sent to over 40 countries for exhibition, presented to the foreign friends as souvenirs, and have become the “friendship envoy” for the promotion of the diplomatic un county has been granted by the ministry of culture the title “home of china paper woven pictures” and listed for the protection under the “folk art protection project”. ceramics

dehua ceramics is the traditional was started in the tang dynasty, developed in song and yuan dynasty and made a breakthrough in ming white ceramics produced in dehua have the reputation of being “white as snow, thin as paper, smooth as jade”.dehua ceramics is famous especially for its statue of kuanyin which was made by the senior master he chaosong and named “helai kuan” after his “ivory white” ceramic statue developed by him is a valuable object unparallel in the world, known as the “crown jewel in the international ceramic sector”.quanzhou folk culture

ou ceramic culture

“dehua has many beautiful ceramics”, is how the italian traveller marko polo described ain manufacture has a long history in -known both in china and overseas for its top quality, fine workmanship, the porcelain industry in dehua is regarded as one of the three major porcelain capitals in china, together with jingde town of jiangxi province and lilin of hunan ming dynasty, the “ivory white” ceramics developed by the great master he chaozong surprised the world and was named “china white” by the describe dehua top white porcelain as “white as snow, thin as paper, bright as mirror” and describe dehua jianbai porcelain as “smooth and transparent as condensed lipid and frozen jade”.the porcelain kuanyin made in dehua is called “oriental venus”.e of hui-an women costumes

the costume culture of hui-an women dates back into the ancient y wore a yellow scarf, a blue short blouse, silver chain and large trousers, which are unique in the national costume blue short blouse displays the colour of sea and sky, the yellow bamboo hats symbol the land and beach;the flowery scarf indicates the movement of mountain flowers and sea blouses are tight and short, exposing the navel, displays their characters of being bold, flexible, but costume of hui-an women is always focused on the body above the waist, especially on the head decoration which differs in patterns, occasions and hui-an women attend weddings or ceremonies, the head decoration should be bright and colourful to display the “happiness”.the old women of hui-an usually have a bob on the back of the head and wear a black scarf with pins decorated with beads and flowers, which displays a unique ou opera culture

dacheng play

dacheng play is also named fashi play, monk play, douist play and originated from the religion and folk activities in by combining buddhist and taoist activities, it is a religious play, rarely seen in play provides religious services for both buddhism and g play was born in quanzhou and nourished by quanzhou folk arts, and is especially deeply influenced by thread controlled puppet emerging as a new play, it has displayed its uniqueness in southern fujian folk operas due to its super kongfu and g play is known for its kongfu which applies quanzhou south shaolin opera has preserved lots of folk stunts, acrobatics and adopting taoist and buddhist music, and “puppet melody” of thread controlled puppets, the music of the opera displays a unique religious opera

quanzhou liyuan opera is a rare and valuable opera in china, because it still preserves the characteristics of southern opera from tang and song ating in quanzhou, it has spread to taiwan and the southeast asian countries in the footsteps of the emigrants from preserved a large repertoire of southern opera from song, yuan and ming dynasties, liyuan opera has been called the “l(fā)iving fossil” of opera and is one of the oldest operas existing in opera is sung by quan has preserved a lot of important music from tang dynasty and song dynasty and is closely related with the ancient music--southern music of liyuan opera is mainly played by the bamboo flute and string music (southern tone)

nanyin(southern tone)is an old and beautiful music and is called the “root of the chinese national music”.quanzhou is the cradle of the southern has become very popular, after it was enriched, matured and optimized by absorbing the strengths from central china culture, fujian culture and maritime ed in quanzhou, southern tone has not only extended to southern fujian province where southern fujian dialect is spoken, but also spread to the southeast asian countries, hong kong, macao and passing from one generation to another, it has become increasingly popular as a “home tone” full of strong passion for the loving the hometown and the chinese and foreign scholars have complimented quanzhou southern tone as the “treasure in the chinese classic music”.